Color Language
-Primary palette blends burnt oranges with sage concrete. Use gradients and overlays to mimic - painted walls catching slant light.
-- Ratio — 60 / 25 / 15
+ desaturated greens, and charcoal blacks. Typography feels like museum placards. + + +Color Language
+ +Primary palette blends burnt + oranges with sage concrete.
+Typography
-Pair sculptural serif - headlines with quiet grotesk paragraphs and whisper-thin uppercase metadata. Treat type like - carved etchings on plaster—precise, deliberate, never shouting.
-+ Sculptural Statements +
+ Space Grotesk. Used for body copy and interface elements. Quiet, generous tracking, + always legible on textured backgrounds. +
Reference imagery pairs plaster gradients with - charcoal studies. Use this macro crop treatment for hero backups or transitions.
-03 • Interface Components
-Micro-interactions that feel tactile.
-Buttons & Toasts
-Primary actions carry - burnt-orange fills while secondary options lean on terracotta and sand. Toasts inherit the same - hues for instant recognition.
- -Toasts
-We'll confirm your consultation slot within 24 hours.
-Masato's calendar just opened for February.
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Micro-interactions that feel tactile.
+Action Hierarchy
+Interface Treatments
-Forms and calendars that echo studio serenity.
-04 • Layout & Components
+Structure mirrors gallery pacing: spacious, staggered, editorial.
-Think in horizontal galleries: alternate full-width manifesto blocks with modular cards so the page rhythm breathes like walking past framed works.
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- 05 • Interaction & Motion
-Every movement should feel deliberate, like brush strokes.
-Baseline
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- Fade/slide reveals on scroll, 200–300ms, ease-out. -
- Buttons scale to 105% with shadow bloom; no bounce easing. -
- Link underlines draw from left to right like a painted stroke. -
Accent Moments
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- Parallax on hero imagery (≤5% translateY). -
- Staggered card entrances of 50ms to mimic gallery walk-through. -
- Interactive swatches that tint background panels subtly on hover. -
Every movement should feel deliberate, like brush strokes.
+Used for reveals. Slow entrance, smooth + settling.
Hover swatches to tint background
-Creates a "walking past paintings" effect. +
06 • Sticky Storytelling Example
-Anchor manifesto copy while narrating evolving work.
-Use sticky paired columns for case studies or process pages: the left rail sets expectations, - the right column scrolls through vivid chapters.
-Client brings mural references, sculptures, and light studies. Capture quotes and palette - swatches directly in the viewport.
-Use macro photography of charcoal lines and plaster chips. Pair with captions outlining needle - groupings and pigment blends.
-Document progression with warm gradients + timestamps to show layering, wiping, and varnish - moments.
-Close with archival photography and care steps so the story resolves with confidence.
+Interaction Demo
+Hover the elements below to see the "Shadow Bloom" and "Scale" effects.
+ +Simulates lifting an + object off the table.
+07 • Tone & Messaging
-Words should feel archival yet alive.
-Balance poetic descriptions with precise process language. Speak to seasoned collectors, not - trend chasers.
-Voice Notes
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- Use sensory analogies (“sun-baked walls”, “charcoal whisper”) to anchor visuals. -
- Keep call-to-actions confident but calm (“Begin Commission”, “Visit the Studio”). -
- Highlight collaboration and process transparency in every section. -
08 • Reference + Guardrails
-Borrow selectively; keep the voice distinctly United.
-Sites We Admire
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- - Studio Nari — Editorial typography pacing, soft gradients. - -
- - Acne Studios — Confident whitespace + effortless photography pairing. - -
- - Slowdown Studio — Product storytelling with tactile textures. - -
Avoid
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- Aggressive gothic motifs that feel intimidating. -
- Overly dark backgrounds that hide brush detail. -
- Cluttered galleries or confusing booking funnels. -